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Tolkien makes King Isildur son of Elendil represent Solomon son of David, as reflected in Islamic lore and sources, not Judaic. Both kings were of High, Elf/Angel protected (Prophetic) lineages and bore Rings of Power over the world of man and the wraith-like world of sorcery and subterfuge. In the Elendil/Isildur part of Tolkien’s cycle Sauron represents Goliath as an aspect of Dajjal.

Tolkien uses various characters to represent different aspects of Shaytan as Iblis (the Devil) the Satan of the unseen world of sorcery and jinn, and in other places the Dajjal/the antichrist deceiver of the human realm.

Just as Tolkien chose Gondor the Southern Kingdom to represent the Hijaz he also chose Arnor the Northern Kingdom to represent Ancient Israel at the time of the birth of Jesus the Messiah. Tolkien encoded even deeper parallels than the few here.

Tolkien uses different characters to symbolize aspects of the Dajjal, the long-lived Deceiver whom every Prophet warned his people against, and who will oppose the Mahdi and Jesus at the end of time. Saruman represents several aspects of the Dajjal.

In the original Islamic Endtimes prophecies that Tolkien took from, there is an explicit warning of an evil pouring down on the Muslims/Freemen of Middle Earth/Middle East from the sky, so much that if one sought refuge in the deserted wilds it would reach there. Such reports are part of the original Prophetic narrative that Tolkien appropriated from.
 

Tolkien represented this theme in his work in multiple ways, which the Peter Jackson films explicitly illustrate in several places. Tolkien’s symbolism is in the form of the many winged spies of Saruman/Dajjal watching Frodo/Mahdi and the Company of the Ring.

 

In J.R.R. Tolkien’s appropriation of the Mahdi story from Islamic sources and lore. Each character mirrors specific figures in the original story of the Mahdi, from 1400 years ago.

Tolkien’s character Gandalf the Grey is a long lived and mysterious wanderer. He and his role mirrors that of Khidr, the long lived and mysterious wanderer whose adventure with the Prophet Moses is told in the Quran’s Sura Kahf, and whose many mysterious appearances, especially to the People of the West (Ahl Maghrib / أهل الغرب ) is chronicled in numerous Arabic sources.

This is an illustration of Khidr, in the imagination of a Muslim artist, side by side with Gandalf as portrayed in Peter Jackson’s film cycle...

In The Two Towers the Ents, the Tree Shepherds, were depicted as defeating Saruman with stones.

 

There is a 1400 year old narrated report from Prophet Muhammad that commands the Muslims/Freemen of Middle Earth to join the Mahdi no matter what, even if you have to crawl on you hands and knees through the snow.

The Prophet Muhammad commanded : …so if you see him, join him, even if you have to crawl through the ice and snow.

Notice the symbolism of the Fellowship in waist high snow...

Muhammad warned the Muslims and the world of the Saudi/wahabi/terrorist threat. He prophesied how they would be used as attack dogs to kill and torture the Muslims of the endtimes. Dajjal/Antichrist/Deceiver used the British and U.S. empires the prop up these terrorists.

In Tolkien’s tale orcs were the servants of the enemy, Sauron. Orcs mirror the real-life enemies of Freedom fighter Muslims, in original sources Tolkien appropriated from.

Some aspects of Sauron represent the Dajjal; the Antichrist or False Messiah that every Prophet warned of. Other aspects of Sauron represents Satan/Shaytan while Tolkien’s character Saruman represents the Dajjal in other aspects. Tolkien uses multiple related characters to represent the same reality or entity in different periods or locations (For example Gollum, Saurman, Sauron, the Squint Eyed Easterner in the Prancing Pony Inn in Bree, and so on.

In the Lord of the Rings J.R.R. Tolkien Mordor is the name of the region controlled by the Dark Lord Sauron, who represents Satan. Tolkien’s inspiration for Mordor, however, lay in what’s now Saudi Arabia.

Tolkien incorporated the Prophet’s description of the Najd (Also known as Nejd) region of Arabia during the end-times in his Lord of the Rings cycle. Just as all of Middle Earth’s geography incorporates real-life regions from the Middle East, the Mediterranean regions of North Africa, and Southern Europe, through different periods of time...

In Tolkien’s appropriation of the 1400 year old Mahdi story, he takes the most crucial aspect of the Mahdi, (his almost super human reasoning skills, and creates Frodo Baggins with it.

The actual real meaning of “Frodo” according to Tolkien in his letter and the real meaning of “Mahdi” in Arabic are the same.

Exactly like the Mahdi, Frodo does not shed blood, which is surprising considering all the combat that he has seen. Frodo spares Gollum’s life many times despite his constantly trying to kill him.

The Muslim painting below clearly depicts The Mahdi/Frodo leading Jesus/Aragorn and many other helpers to establish justice and equity in the world.

First closely examine this traditional depiction of Jesus and Mary.

Another remarkable parallel between Tolkien’s Lord of the Rings cycle and the original Islamic Mahdi story that he appropriated from, in The Fellowship of the Ring, Frodo/Mahdi is wounded by a morgul blade.  Not even Jesus the healer/Aragorn can heal him. Allah heals him in one night.